Organizing/Political History

Si Kahn has worked for almost 50 years as a professional civil rights, labor and community organizer and musician. He began his organizing career in 1965 in Arkansas with the Student Nonviolent Coordinating Committee, more popularly known as SNCC, the student wing of the Southern Civil Rights Movement. During the War on Poverty, he served first as a VISTA Volunteer and later as Deputy Director of an eight-county community action agency in rural Georgia, where he also coached the first racially integrated Little League team in that part of the state.

In the 1970s, he worked with the United Mine Workers of America (UMWA) during the Brookside Strike in Harlan County, Kentucky, and was an Area Director of the J.P. Stevens Campaign for the Amalgamated Clothing and Textile Workers Union (ACTWU). These historic labor struggles are portrayed in the movies Harlan County U.S.A. and Norma Rae.

In 1980, Si founded Grassroots Leadership, a national Southern-based progressive organization committed to community, civil rights and labor organizing. He served as its Executive Director for 30 years, stepping down on May Day 2010.

For the past 15 years, Grassroots Leadership has worked to oppose privatization and to defend the public sector. This work currently includes a campaign to abolish all for-profit private prisons, jails and detention centers, including immigrant detention centers, as a step towards helping create a prison and criminal justice system that is at least to some extent just and humane.

In August 2009, shortly before Si’s retirement, Grassroots Leadership won a major national victory in its Campaign to End Immigrant Family Detention, when the Federal government removed 150 children from the notorious for-profit private T. Don Hutto “family residential center” in Taylor, Texas, where children as young as infants were imprisoned together with their parents. The New York Times wrote, “The decision to stop sending families there—and to set aside plans for three new family detention centers—is the Obama administration’s clearest departure from its predecessor’s immigration enforcement policies.”

Si is one of three co-founders of Musicians United To Protect Bristol Bay. Since 2010 he has been actively involved as a passionate volunteer in the international campaign to stop the proposed Pebble Mine and to protect permanently the people, jobs, communities, Native languages, cultures, traditions, and wild sockeye salmon of Alaska’s Bristol Bay, one of the great remaining wild places in the world (www.MusiciansUnited.info).

April 14th will be a very special show.  My dear friend of over 50 years, Si Kahn, turns 80-years-old on April 23rd and I’m throwing a Si Kahn 80th Birthday Party.  Besides being a frequent partner-in-crime, Si and I co-wrote five consecutive Grammy-nominated albums, toured our Signs of the Times tour (with sign language artist, Susan Freundlich). Not incidentally, Si is the godfather of my son Peter.  I was the first person to record a Si Kahn song, even before his incredible debut album New Wood.  So, I’ll reprise that first song, along with lots more of his great music.  But, most wonderfully, there will be over a dozen artists, including Billy Bragg, Cathy Fink & Marcy Marxer, Tom Chapin, Jane Sapp, Holly Near, and Kathy Mattea, who’ll be chiming in with tales about Si and singing some of his classic songs.  This will be an incredible evening and a chance to not only hear some great music, but honor the guy I declared, “The best damn songwriter in the South…in his spare time!” back in 1975. 

Even if you’re not able to watch the celebration live, your ticket will allow you to view a recording of the full event for the next two weeks.

100% of ticket sales will go to support the official launch at the concert of the Si Kahn Living Legacy, a new non-profit project that will make available in perpetuity those of Si’s songs, stories, song cycles for children and adults, poems, unpublished books, musicals, and other creative works that have never before been available to the public, and ultimately keep them alive and easily accessible after he’s gone.